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	<title>Comments on: Unfortunately, I still don&#8217;t like Resnais</title>
	<atom:link href="http://www.naruhodou.org/choco/2008/11/26/unfortunately-i-still-dont-like-resnais/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.naruhodou.org/choco/2008/11/26/unfortunately-i-still-dont-like-resnais/</link>
	<description>How would Wilder do it?</description>
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		<title>By: Sasa</title>
		<link>http://www.naruhodou.org/choco/2008/11/26/unfortunately-i-still-dont-like-resnais/comment-page-1/#comment-552</link>
		<dc:creator>Sasa</dc:creator>
		<pubDate>Thu, 27 Nov 2008 09:20:51 +0000</pubDate>
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		<description>Haha, not really. I have had this watch-list for 3 years after all, and I&#039;m never going to finish it unless I get &quot;A Wedding&quot; somehow. It looks difficult and I&#039;m definitely not going to pay 20 euro for the DVD.

Ah, I knew you would say something about Resnais! I believe you that it&#039;s impossible to really judge him from the two movies I have seen, especially &quot;On connaît la chanson&quot; surely is quite different from his other movies (none of them look like a comedy to me). On the other hand, I rarely watch more than 2 movies by the same director and if I do, it&#039;s because I really adore his work. We will see! Mélo is definitely on my watch list now. :)

The best about Providence was the ending indeed. Even though &quot;waking up from a nightmare&quot; is sooo deus ex machina, it made perfect sense in the movie.

Oh by the way, &lt;a href=&quot;http://www.youtube.com/watch?v=RvCIPpWFo7Y&quot;&gt;this video&lt;/a&gt; looks so great. If the movie looks like that as well, I might accept the latent pointlessness of the plot. XD (What irritates me, however, is the extreme britishness of the band, lol.)</description>
		<content:encoded><![CDATA[<p>Haha, not really. I have had this watch-list for 3 years after all, and I&#8217;m never going to finish it unless I get &#8220;A Wedding&#8221; somehow. It looks difficult and I&#8217;m definitely not going to pay 20 euro for the DVD.</p>
<p>Ah, I knew you would say something about Resnais! I believe you that it&#8217;s impossible to really judge him from the two movies I have seen, especially &#8220;On connaît la chanson&#8221; surely is quite different from his other movies (none of them look like a comedy to me). On the other hand, I rarely watch more than 2 movies by the same director and if I do, it&#8217;s because I really adore his work. We will see! Mélo is definitely on my watch list now. <img src='http://www.naruhodou.org/choco/wp-includes/images/smilies/icon_smile.gif' alt=':)' class='wp-smiley' /> </p>
<p>The best about Providence was the ending indeed. Even though &#8220;waking up from a nightmare&#8221; is sooo deus ex machina, it made perfect sense in the movie.</p>
<p>Oh by the way, <a href="http://www.youtube.com/watch?v=RvCIPpWFo7Y">this video</a> looks so great. If the movie looks like that as well, I might accept the latent pointlessness of the plot. XD (What irritates me, however, is the extreme britishness of the band, lol.)</p>
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		<title>By: Prog</title>
		<link>http://www.naruhodou.org/choco/2008/11/26/unfortunately-i-still-dont-like-resnais/comment-page-1/#comment-548</link>
		<dc:creator>Prog</dc:creator>
		<pubDate>Wed, 26 Nov 2008 20:43:01 +0000</pubDate>
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		<description>Wow, you are amazing at working-off watch-lists! O_O
I thought the best thing about &quot;Providence&quot; was the ending bit in the garden? It was like waking up from a nightmare, after all the shifting between dream and reality, haha.
The one Resnais I&#039;d unconditionally recommend is &quot;Mélo&quot;, which really displays him at the very top of his abilities - I&#039;ve never actually seen a more inspired blend of theater and film, and it basically does miraculous things with the idea of melodrama.
I really admire &quot;Last Year in Marienbad&quot; and believe it is one of the great enigmatic films, though I wouldn&#039;t necessarily recommend it (I think I really started to fully appreciate it after reading &quot;The Invention of Morel&quot;, on which the skript was loosely based).
I was stunned by &quot;Hiroshima mon amour&quot; - and many people seem to be - but I&#039;d still place &quot;Mélo&quot; as the greatest, followed by this one and Marienbad.
And, uh, I haven&#039;t seen &quot;On connaît la chanson&quot;!</description>
		<content:encoded><![CDATA[<p>Wow, you are amazing at working-off watch-lists! O_O<br />
I thought the best thing about &#8220;Providence&#8221; was the ending bit in the garden? It was like waking up from a nightmare, after all the shifting between dream and reality, haha.<br />
The one Resnais I&#8217;d unconditionally recommend is &#8220;Mélo&#8221;, which really displays him at the very top of his abilities &#8211; I&#8217;ve never actually seen a more inspired blend of theater and film, and it basically does miraculous things with the idea of melodrama.<br />
I really admire &#8220;Last Year in Marienbad&#8221; and believe it is one of the great enigmatic films, though I wouldn&#8217;t necessarily recommend it (I think I really started to fully appreciate it after reading &#8220;The Invention of Morel&#8221;, on which the skript was loosely based).<br />
I was stunned by &#8220;Hiroshima mon amour&#8221; &#8211; and many people seem to be &#8211; but I&#8217;d still place &#8220;Mélo&#8221; as the greatest, followed by this one and Marienbad.<br />
And, uh, I haven&#8217;t seen &#8220;On connaît la chanson&#8221;!</p>
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